I’ve begun doing one-on-one in-person interviews with past contributors to the 1990-1991 cable-access community television show Toronto Living With AIDS as part of my book research. So far I’ve spoken with John Greyson, Richard Fung, and Kaspar Saxena. I’m setting up interviews with other contributors for the spring and I’ve already ransacked the organizational archives of Vtape and Trinity Square Video. I’m hopeful about publishing a definitive history of the series some time in 2020. There’s also talk, through the Archive/Counter-Archive project of launching some sort of Toronto Living with HIV/AIDS series reboot in 2020. Stay tuned!
This coming semester I’ll be guest lecturing at Brock University in Dr. Emma McKenna‘s labour studies course focusing on sex work/ers. I’ll be doing a lecture on the crossover between queer, sex worker, and HIV/AIDS activism in Canada, focusing in particular on the work of the Prostitutes’ Safe Sex Project and under-recognized activist Danny Cockerline. I’ll be teaching Andy Sorfleet’s writing (Busting Sex Work Stigma: You Can’t Catch HIV from Money) and screening George Stamos’ brilliant short doc Our Bodies Our Business (2016) on sex worker activism at the Montreal International AIDS conference in 1989. Video still of Danny and Valerie Scott from OBOB to the right.
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After launching the Research Repository (RR) with POWER folks this fall, I’m working on a systematic review of sex work research in/on Canada since PEPCA in December 2014. I’m interested to see what kind of research is being done, by whom, and to what ends. As sex workers are one of the most over-surveilled, overly criminalized, and misunderstood group of people, the type of research being done has the potential of fuelling already devastating social policy and further entrench various long-held stigmas. Other writing projects will likely come out of the RR committee of POWER after we meet early in the new year.
My review of Malynnda Johnson’s 2018 HIV on TV book review should be out any day now in the Canadian Journal of Film Studies (Vol. 28, No. 2). While the book is worth checking out, my review points out a few epistemological gaps worth further investigation. The book is prohibitively expensive, so definitely encourage your library to order a copy if you’re interested.